Why ‘Happily Ever After’ Feels Like a Full-Time Job
Description
Things Men Talk About When Women Aren’t Looking
Black Men Desirability: Unpacking Cultural Biases
Women' Things Men Struggle To Understand
Going Nowhere Fast, We’ve Reached Our Climax
Are Women Too Loyal for Their Own Good
Things Black People Say?
What Really Works For Us Chicks
Words I Hope My Daughter Never Says
Why Women Get a Pass on Things Men Can’t
5 Signs That You Might Be Dating a Zombie Who Might Zombie Apocalapyse Your A**
Nas’ implusivity gives him huge blind spots though, and none are bigger than the fact that “Daughters” — a song Nas made to protect his daughter and profess his love for her — shits on his own daughter! He leads both of the song’s first two verses with information putting his daughter’s business and, ultimately, her reputation on full blast.
From verse two:
This morning I got a call, nearly split my wig
This social network said “Nas go and get ya kid”
She’s on Twitter, I know she ain’t gon post no pic
Of herself underdressed, no inappropriate shit, right
Her mother cried when she answered
Said she don’t know what got inside this child’s mind, she planted
A box of condoms on her dresser then she Instagrammed it
Forget about cutting off your nose to spite your face, “Daughters” cuts off his face to spite his face. Mind you, his daughter isn’t a seven year old who won’t quite grasp what her dad is rapping about or a grown-ass 27 year old who could deal with it, but a 17 year old girl — a person at the age where something like this has the best chance of having a negative impact on her life. Oh, and how do I know she’s a 17 year old girl? He leads the video with her f*cking birthday!
I guess I shouldn’t be too surprised by the cognitive dissonance Nas’ exhibited when creating this song and the accompanying video. It’s typical Nas (shit, it’s typical “rapper”) and, with all this being said, I do definitely appreciate the idea, effort, and (presumed) intent behind “Daughters.” As far as “rappers rapping about their kids” goes, it’s not in the same league as “Retrospect for Life,” but I do think it has a bit of a chance to eventually become (slightly) less annoying with repeated listens.
But, while I forgave Nas for “Braveheart Party,” “Nastradamus,” and “You Owe Me,” I don’t know if I can forgive him doing the ultimate disservice — making me agree with Carmen Bryan.
Black Men Desirability: Unpacking Cultural Biases
Women' Things Men Struggle To Understand
Going Nowhere Fast, We’ve Reached Our Climax
Are Women Too Loyal for Their Own Good
Things Black People Say?
What Really Works For Us Chicks
Words I Hope My Daughter Never Says
Why Women Get a Pass on Things Men Can’t
5 Signs That You Might Be Dating a Zombie Who Might Zombie Apocalapyse Your A**
Nas’ implusivity gives him huge blind spots though, and none are bigger than the fact that “Daughters” — a song Nas made to protect his daughter and profess his love for her — shits on his own daughter! He leads both of the song’s first two verses with information putting his daughter’s business and, ultimately, her reputation on full blast.
From verse two:
This morning I got a call, nearly split my wig
This social network said “Nas go and get ya kid”
She’s on Twitter, I know she ain’t gon post no pic
Of herself underdressed, no inappropriate shit, right
Her mother cried when she answered
Said she don’t know what got inside this child’s mind, she planted
A box of condoms on her dresser then she Instagrammed it
Forget about cutting off your nose to spite your face, “Daughters” cuts off his face to spite his face. Mind you, his daughter isn’t a seven year old who won’t quite grasp what her dad is rapping about or a grown-ass 27 year old who could deal with it, but a 17 year old girl — a person at the age where something like this has the best chance of having a negative impact on her life. Oh, and how do I know she’s a 17 year old girl? He leads the video with her f*cking birthday!
I guess I shouldn’t be too surprised by the cognitive dissonance Nas’ exhibited when creating this song and the accompanying video. It’s typical Nas (shit, it’s typical “rapper”) and, with all this being said, I do definitely appreciate the idea, effort, and (presumed) intent behind “Daughters.” As far as “rappers rapping about their kids” goes, it’s not in the same league as “Retrospect for Life,” but I do think it has a bit of a chance to eventually become (slightly) less annoying with repeated listens.
But, while I forgave Nas for “Braveheart Party,” “Nastradamus,” and “You Owe Me,” I don’t know if I can forgive him doing the ultimate disservice — making me agree with Carmen Bryan.
Début de l'événement
03.12.2021
Fin de l'événement
03.12.2021